20 tips for admiring ballet

When many dancers appreciate ballet, although they think that ballet is cute and sweet, they don’t understand the ballet movements very well. Let me let the editor explain the technical skills of ballet and teach you how to appreciate ballet movements.

1. Rotation:

Quantity and quality are one of the core criteria for judging the technical level of ballet dancers. The so-called quality mainly refers to whether the standard dance posture is out of shape during the rotation process, whether the spatial positioning meets the requirements, and whether the rotation is stable as before. Whether it can naturally complete the fixed dance at the end.

2. Speed:

This is another rigid yardstick to measure the technical level of ballet dancers. The faster the speed, the greater the difficulty, but in some spins and jumps, acceleration is essential, and can make these actions easier to complete.

Of course, the speed is only a technical standard, not an artistic standard.

3. Direction:

This is the third criterion for judging the level of technology.

When changing directions in a dynamic state, the strength is required to increase or decrease appropriately, and experienced dancers know that it is much more difficult to rotate in a circle than in a straight line.

4. Look at it at a fixed point:

The so-called fixed-point look means that the dancer must stare at a certain point directly in front of the dancer while making a rapid rotation with the torso as the vertical axis;

That is, let the whole torso and limbs turn first, here you need to keep the head until the separation between the whole head and the body reaches the maximum limit, then throw the head and eyes behind the body, and immediately speed faster than the body. , To find the original point of view, this is the best way to avoid the dancer’s dizziness.

5. Changing arms or legs and feet:

Changing arms or legs while spinning or jumping is another big challenge to dancers’ physical balance and coordination.

6. Silent and elegant landing:

This should be another criterion for judging the level of dancers.

7. Jump height:

This of course can increase the enthusiasm in dancing appreciation. In comparison, creating absolute height is far less difficult than maintaining height in an instant, or even creating the illusion of a pause in the air. In the eyes of experts, creating this illusion is one of the dancers’ most brilliant skills.

8. Stretch your knees:

This is an absolutely indispensable norm in ballet technology.

9. Stretch your toes:

This is also the basic requirement for the perfection of ballet technique.

10. Raise your legs high:

From the perspective of receiving aesthetics, when the dancer is facing the audience, raising his legs to the sides can be more effective.

11. The stability of the supporting legs:

The idealized standard for completing this action is that in addition to the knees and insteps that need to be straightened, the supporting legs are also required to be motionless like nails on the board.

12. Lines:

It can be roughly divided into two categories, one is the dancer’s body line, and the other is the stage scheduling line.

13. Fluency: According to traditional dances at home and abroad, choreographers and audiences are accustomed to requiring dancers’ movements and stage scheduling to flow smoothly.

14. Duo:

It includes three types of movements: lifting, supporting rotation, and balancing. The tacit understanding between outstanding dancers is not only manifested in the level of familiarity with the routine movements of the pas de deux, but also in absolute mutual trust.

15. Large group dance:

Horizontal and vertical must be in a row; hands and feet must be in place; movements must be consistent; breathing must be unified; dancing must be smooth; dancers must be coordinated. In large-scale group dances, the individuality of each dancer should be restrained to the utmost extent, so that the entire picture remains coordinated and unified.

16. Clean and accurate action:

Whether it is a group or an individual, the dancer’s movements should be clean and accurate.

17. Confident performance

When dancing, dancers should show full and elegant self-confidence, especially when completing simple and difficult moves, they should not show any anxiety, but should give people a sense of ease and ease, and a sense of wholeness. And comfort.

18. Pleasure:

As a theater performer, the dancer’s vocation should be to provide pleasure to the audience, so the dancer himself must first find the pleasure for himself in the dancing process.

19. Small scam:

When ballet dancers fail to accurately perform various actions on the stage in strict accordance with the above technical specifications, they will involuntarily make some small compensations or adjustments.

Hang is called a small scam: it needs to be explained clearly to the audience that in order to complete a certain movement beyond the scope of conventional sports and make the audience have a novel sense of beauty and pleasure, the use of this small scam is necessary, and absolutely It does not mean deceiving the audience, just as the magic of magic lies in its deception.

20. The big jump from technology to art

In ballet performances, dance will constantly change its point of view and intensity. Solving the temporal and spatial relationship between body position and movement norms is a problem that dancers should solve in rehearsal.

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